![]() The starting point of this research comprises a close reading of Georges Dumézil’s system of understanding myth, followed by an analysis of Jerold C. The sexuality and gender identity of Loki has not previously been surveyed. In this thesis, I will consider the way that gender identity and sexuality are evoked in Norse mythology, focusing on the figure of Loki. Yet we sometimes forget that these markers of human identity have always existed throughout our shared cultural past, and are articulated in various ways within ancient stories and mythologies. Today, we have a 21st Century awareness of diversity in expression pertaining to a person’s gender, sexuality and place in the world. ![]() It will suggest that the shape-shifting of Loki’s story reflects the social and geographical circumstances of its audience something that Day, in his presentation of Loki as a victim in the hyper-masculine world of the gods, uses to comment on contemporary social attitudes to sex and gender. This paper will suggest that Snorri Sturluson’s apparent appropriation of Loki’s shape and gender has less to do with Christian morality, and more with everyday medieval Icelandic social values. Many scholars have considered the ambiguous figure of Loki, but few have associated this ambiguity with contemporary social changes outside of the introduction of Christianity. This paper will look at the medieval poetical treatise, Snorra Edda, alongside a more recent reinvention by Brian Day in his poem: “Loki and Sleipnir” in his publication: Love is not Native to My Blood (2000), and intends to examine these two versions of Loki’s transformation from male to female, and human to animal analysing the changes in form and perspective given to the text through time and translation. Loki, an outcast from the Æsir, is required to assume the role of a female creature and give birth, in order to save the gods from disaster. This short sequel explores what he did next.With the recent publication of The Gospel of Loki (Joanne Harris, 2014), and the forthcoming Vikings exhibition at the British Museum, interest in the life and legends of early Scandinavia is at a high point, but the mythological Old Norse narrative of the birth of Sleipnir has always been treated with caution. Loki experiences emotions he thought long dead when he finds out the truth about his would-be assassin. Ancient? Language: English Words: 79,663 Chapters: 31/? Comments: 7 Kudos: 48 Bookmarks: 11 Hits: 2,140 His eyes were calm, cold, with a calculative gleam in them, that isn't strange, he was like when serious even as a child, no what caught her attention was that his eyes looked tired, broken and. No matter what title he is given by other, it doesn't matter if he is the god of evil, lie-smith, son if secrets or god of lies, he is and always will be her baby boy, the smart and curious child that she raised in the halls of this very palace. The eyes of the god of mischief were different, unnoticed by the king or the other princes of The Golden Realm but not by the queen, not by the woman who raised Loki. Two years after the attack on New York, two years since Loki led the ruthless and uncaring chitauri, two years since he fell from the Bifrost, now the trickster god stands trial before the the All-Father of Asgard and awaits the sentence that the ruler of the The Realm Eternal deems appropriate for his crimes against Midgard and its people. Stability has returned to the Nine Realms of Yggdrasil, peace will come in the near future.
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